The Phocus Grayscale Panel Is a Real Channel Mixer
The Phocus Grayscale sliders look like a global brightness control. Measured on a ColorChecker frame, they're a genuine per-channel B&W mixer.
I measured the XCD 25V at every half-stop from f/2.5 to f/32 on the X2D II. Sharpness holds through f/8; here is what f/11, f/16 and f/22 cost.
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The Phocus Grayscale sliders look like a global brightness control. Measured on a ColorChecker frame, they're a genuine per-channel B&W mixer.
Hasselblad engineering defines HNCS: an always-on stage in every Phocus render. What my earlier claim got wrong, and what the gap really is.
You shoot a high-contrast scene in HDR mode. The X2D II's screen shows a clean capture: highlights intact, histogram comfortable. Then
Hasselblad released Phocus 4.2.2 for Mac on August 20th, five weeks after 4.2.1. The build is on their CDN and
The built-in TIFF-16 preset exports in Adobe RGB (1998), and for most work that is the right choice. This is about the
Same X2D II RAW through both Hasselblad apps: Phocus Mobile matches the Standard preset. Mac imports sit 10% away until you apply it yourself.
A reader question about the X2D II's stabilization sent me back through Hasselblad's documentation this week. What I discovered down
Yesterday I wrote about Phocus quietly fixing a bug it never told anyone about. Hasselblad does the same thing with camera firmware, and twice
In December 2025, I filed a bug report with Hasselblad: color labels set on a .3FR RAW file in Phocus didn't survive
Every X2D II 3FR since firmware 1.2.7.11 records recoverable focus distance. Since firmware 1.3.16.1, Capture One and Lightroom read it and use it.
A variant of this question lands on almost every Hasselblad forum almost every week in some form. "Help me bridge the gap: 35-
Every week the same question surfaces on r/hasselblad, in the Facebook groups, or in my inbox: what does a sensible Hasselblad workflow actually
Search for the X2D 100C's RAW bit depth or its continuous shooting buffer and Google mostly hands you an article about a
HNCS isn't baked into your files at capture. Here's how Hasselblad's render-time color pipeline in Phocus actually works, mechanism by mechanism.