My First 24 Hours with Phocus 4.1: One Fix, One Regression, One Crash
Phocus 4.1 fixes Ultra HDR JPEGs but breaks TIFF export paths. Workaround found: use the built-in TIFF-16 preset unchanged.
An engineer who shoots. 30 years in systems software, 12 at Meta; now writing the technical documentation for Hasselblad shooters that the official docs don't.
Phocus 4.1 fixes Ultra HDR JPEGs but breaks TIFF export paths. Workaround found: use the built-in TIFF-16 preset unchanged.
NEW FEATURES IN PHOCUS UPDATE 4.1 (MAC) * Hasselblad Natural Noise Reduction (HNNR) is extended to FFF files, further improving the noise reduction effect
HDR can't be printed - here's the physics why. Plus archival strategies and practical guidance on when Ultra HDR JPEG makes sense.
Not all HDR displays are equal. Learn which iPhones, Macs, and monitors show Hasselblad HNCS HDR, plus in-camera limits and platform gaps.
If you're one of the lucky folks to own one of these, just 13 days after the previous firmware update (1.9.
This started with a question on a Hasselblad forum: someone tried renaming a .FFF file to .3FR hoping Phocus Mobile 2 would recognize it.
Color labels in Phocus 4.0.1 don't persist or export - Hasselblad confirmed it's a known issue. Star ratings work; use those instead.
Hasselblad's HDR histogram is secretly an interactive Levels tool. Learn the complete Phocus 4.x HDR workflow from RAW to Ultra HDR export.
The X2D II is an excellent camera, but a few interface behaviors work differently than you might expect coming from other systems. This guide
Ultra HDR JPEG, HEIF, or TIFF? Hasselblad's HDR workflow forces a choice between HNCS color, HDR output, and external editing. Pick two.
Hasselblad's HNCS HDR isn't traditional tone mapping. Learn what end-to-end HDR means for RAW shooters and why your workflow might change.
Hasselblad just pushed out a fresh update for Phocus Mobile 2, and there are a couple of noteworthy additions, including 16-bit TIFF export
Your Hasselblad X2D II isn't always capturing 16-bit RAW. Discover why continuous mode forces 14-bit and whether it actually affects your images.
How Phocus highlight recovery, shadow fill, and white balance compare to Lightroom and Capture One. Why HNCS produces different results.
How Phocus handles 3FR imports, HNCS color science, HNNR noise reduction, and sidecars on macOS. The rules Hasselblad doesn't document.